Wednesday, April 14, 2010

On the EchoBoxMan - Part VII


The EchoBoxMan finished and in his frame.
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It’s about the size of a postcard. That said it pretty much is a postcard but a very ascetic one at that. It wouldn’t delight a single receiver should it drop through their letter box.

Wednesday, April 07, 2010

On the EchoBoxMan - Part VI


The EchoBoxMan's Frame
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(The following was written during the last four days before the hand in deadline of March 17th and by reading more you will see that sad and sorry picture of the portrait after somewhat of a disaster)

It’s a stunner, the frame I mean, finished as it is in subtle greys leaning variously toward greens and purples with the leafed areas having been knocked back to an aged looking finish via manifold techniques that neither love nor bribery or even sweets will get out of the framer responsible, so cautious is he of safeguarding his expertise and maintaining the air of mystery that surrounds his trade.

Friday, April 02, 2010

On the EchoBoxMan - Part V


The EchoBoxMan - Oil on Canvas, 4' x 3'
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(The following was written after work on Wednesday the 24th of February. I had taken the Monday and Tuesday off in order to give myself a good four day run at the painting until that is the canvas debacle on Saturday robbed me of one of them)

It is complete – signed and everything – and has been through that awkward stage where people who have seen it part way through lay their eyes on the picture and ask hesitantly whether it is finished or not in so tentative a way that practically screams that they don’t think it should be just yet, and has managed come out unscathed on the other side.

Tuesday, March 30, 2010

On the EchoBoxMan - Part IV


Beginning the EchoBoxMan - Oil on Canvas, 4' x 3'

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(The following occurred on and around Saturday the 20th February)

And so after a delayed, inept and totally frustrating wait for Jacksons Art Supplies to delivery my roll of canvas it arrived days later than I had been told to expect it during every one of which I could have been starting work on the EchoBoxMan but instead was reduced to pacing around grinding my teeth and scowling at everyone who asked me what on earth was wrong.

Wednesday, March 24, 2010

On the EchoBoxMan - Part III


EchoBoxMan Hand Study - Oil on Canvas, 8" x 6"

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(The following was originally written around the 15th of February)

It is official! On the afternoon of a fraught Valentine’s Day I signed up for this years’ BP Portrait Award (BPPA).

Tuesday, March 16, 2010

On the EchoBoxMan - Part II


EchoBoxMan Study - Oil on Canvas, 8" x 6"

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(The following was originally written around the 10th of February)

I am now three sittings in to the portrait I am painting for this year’s BP portrait award (BPPA), whose deadline is both careering toward me at an alarming rate and looming over my every thought like an unpaid bill. Add in to that mix the fact that I want to put at least two pictures into the Royal Society of Portrait Painters competition (RSPPC), whose own deadline is even closer than that of the BP Award, and you might get an understanding for how busy my brushes are. I am running out of numerous colours, canvas and little scraps of paper I use for thumb-nailing out ideas for the final images. Luckily where I work has the latter in large supply.

Thursday, March 04, 2010

On the EchoBoxMan - Part I



EchoBoxMan - Oil on Canvas, 28" x 18"


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Following on from my New Year ‘s resolution of trying to get a portrait hung in one of the few large and prestigious competitions this year, I arranged a sitting with a local chap that I had known only as EchoBoxMan until I finally got my act together and approached him with my plea to paint his likeness.

Saturday, February 27, 2010

On Spencer Coleman...


Oil, 9" x 11" - Click to enlarge


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I have just found a batch of images I never did manage to upload here – a slight oversight on my part since together they formed part of my first ever group show down in London last December after the eponymous Spencer Coleman decided to take me on and show my work in his galleries despite my introduction involving meeting him with my portfolio tucked firmly under my arm at his Lincoln gallery in an achingly naive approach to this side of the business which thankfully didn’t result in my being shown the door...


Oil, 9" x 11" - Click to enlarge


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The result of that time he graciously gave me is this small set of nudes, each measuring 11” x 7” and selling for £350, framed. As I hope is fairly obvious when looking at the work itself, I had plenty of fun trying to push the limits of the chroma of flesh by trying to fill it with as much colour as I could with it still remaining recognisable. Throwing in plenty of bright incidental material also gave me the perfect excuse to dip into the rarely used piles of primaries on my palette, what with mother-nature herself being much more subtle in her use of hue.


Oil, 9" x 11" - Click to enlarge


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Click "continue reading" to see the last three, and find out more about Spencer Coleman’s galleries by clicking here.

Friday, February 19, 2010

On Autumn...



Autumn - Charcoal on Newsprint


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Let me start by telling you that her name is Autumn and then continue by telling you that of course this was not done from life. Then – I feel this is important – let me go one further

Friday, February 05, 2010

On Me and Mr Nicholson...



Self Portrait - Oil on Canvas, 20" x 16"


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Back in school I always managed to do well in class, despite not really exerting myself too strenuously or giving too much of a damn...

Thursday, January 28, 2010

On resolutions...



Nude - Charcoal on Newsprint, 18" x 14"



Gil Elvgrens scantily clad dames in domestic dilemmas and underwear exposing perils (see previous post) are not the only things occupying me so far this month...

Monday, January 04, 2010

On Gil...



Study after Gil Elvgren - Oil on canvas, 250mm x 300mm



This picture, I know, is somewhat of a departure from my usual oeuvre. The reasons behind its creation are two-fold:

Monday, December 07, 2009

On London...



Fraser - Oil on canvas, 20" x 16"



I had reason again to visit London this weekend, and in a day full of furious walking I managed to see plenty, do plenty, and get plenty of inspiration. As always happens after a trip to the capital, I was left thinking if I would/should/could move there. After all, it is the hub of just about everything and the arts especially. Penury makes it all but impossible, but a trip never fails to make me wonder...

Tuesday, November 17, 2009

On being rubbish...



Amnesia Roses - Oil on canvas, 15" x 8"



Currently I am doing something I have almost never done, as well as something I almost always do...

Wednesday, October 21, 2009

On rain...


Sam with Violin - Sanguine chalk on newsprint, 28" x 16"

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Today was a terrible day. It was the sort of grey, drizzling Lincoln day that renders the top of the Cathedral invisible. It started with an early morning argument with my girlfriend, before she left for work at just past seven, and just never got better than that.

Thursday, September 17, 2009

On siblings...

I thought I would entertain myself somewhat by putting the three portraits of me and my siblings in their own post, which – whilst a marvellous exercise – is only serving to remind me of the fact that I still prefer the picture of Leanne the best.

Such overt favouritism isn’t the problem though, as it extends only so far as the pictures and not the subjects themselves. What is the problem however, is that whilst Alex sat for me not long ago and my mirror and I gazed at one another only a week or so before that, Leanne was painted in 2007.




Alex - Oil on canvas, 20" x 16"

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Me - Oil on canvas, 14" x 18"

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Leanne - Oil on canvas, 20" x 14"


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One day though, I'll manage the impossible and get the three of us in the same geographic location at the same time in order to do something really special. One day...

Thursday, August 06, 2009

On flowers...

Here are three floral paintings, commissioned by what must have been my first bona fide collector. All of the flowers were variously appropriated in and around Lincoln, but look much better than something I could have picked up from a typical high street florist. Framed up, and arranged in a triptych, they look stunning:





Rock Roses plus Photinia Branch - Oil on canvas, 15" x 8"

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Garden Roses - Oil on canvas, 15" x 8"

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Orange Blossom - Oil on canvas, 15" x 8"


Tuesday, June 23, 2009

On the studio...

In the spirit of not leaving too many plot holes, an update regarding the studio is probably in order.

Much exhausting work has gone in to it, some of it obvious and much of it less so, but the results is that it is alive, and very much kicking. If I were to say that getting it to this point has been hard though, it would be an understatement of such colossal proportions that it would almost rival the debt the same process has mired me in – but up and running it is.

The ever present silent partner has turned his skills to the project also, furnishing it with its own website, and I am doing my damn best to cover as much of the wall space with pictures as possible. This, of course, is all fit around finding time to breathe. So here, in all of its glory, is the studio:







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And for more viewing pleasure, some of the life drawings that now furnish the flyers and studio literature:



(Charcoal on Newsprint)



(Charcoal on Newsprint)



(Charcoal on Newsprint)

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And the flyers themselves:




Monday, March 30, 2009

On inspiration...



(Charcoal on Murano)




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Inspiration, for me, waxes and wanes constantly. I am no freer of its whims than the tide is from the moon's. It never quite manages, but always threatens to leave me completely. Often I feel it has, only to be surprised at the next turn by the capricious little minstrel.

Sunday, February 15, 2009

On letters...



Variegated Roses - Oil on board, 15" x 10")


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Since discovering the collected letters of Vincent van Gogh to his brother in a dusty old book sat on the bookshelf of Mark Beaven some three years ago, I've been obsessed with finding similar tomes filled with excerpts of a great person’s correspondence.

Tuesday, February 03, 2009

On Staithes...


(Oil, 16" x 20". Click to enlarge)

This is one of two sketches done of a fellow artist from my Nottingham days, in the sadly now defunct studio Mark Beaven used to hold. The circumstances of the portrait are vague, but I remember that this chap, an architect and friend, sat to Mark and I twice. The original aim was to work up a good portrait, but my first effort was disappointing enough to scrap and start over for the second sitting. This is the result, and as such, is just a cursory sketch. But I like it.

I have rather unfortunately given him a slightly dour countenance, which I can assure you does not exist in real life, but that notwithstanding, I like how lively this is. It wasn't a long sitting, meaning I couldn't fuss over any particular part, so there are plenty of strong, initial brush strokes laid in and left. As a sketch, I would have liked to have hit a highlight in an eye, to really open them up, but must have run out of time.

The reason I post this now is that he is the architect responsible for the bank holiday weekend in the stunningly beautiful seaside town of Staithes. What's more, a return trip is now on the cards. As both a weekend and reunion, it would be brilliant!

Friday, January 30, 2009

On irons in fires...


(Oil, 15" x 10", somewhere near Lincoln catheral. Click to enlarge.)



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This little unfinished sketch was stumbled across whilst searching amongst myriad un-posted paintings on my hard drive. I remember executing it early last year, on a very cold and grey day during a break between my regrettable sojourn at Lincoln University. It was only during such breaks I actually remember learning anything...

Friday, January 23, 2009

On progress...


(Oil on canvas, 16" x 17". Click to enlarge.)



Looking back, it is about time I put up another painting on here, what with the title of the blog and all. As such, I found this photograph of a portrait executed around a year ago, that has ended up in Australia. Its owner, whose likeness it captures, I met in Lincoln. Alas, her visa expired forcing her return down under, with this in tow.

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(More progress at the studio, after sanding half of the floor.)



(Me, ear-muffed and masked whilst sanding the other half.)

Here also, are more shots of the studio. I would go to prolix lengths at my excitement at the studio, and how near to completion it is, but that would be a tacit admission that these photographs are a little behind real time. Still, all will be revealed here in due course.

Suffice to say I am looking eagerly toward the future. I daren’t reflect on my own current state, as my pecuniary affairs teeter as close to the brink as an ageing despot’s leadership. This results in quite a heady juxtaposition, as my mind vacillates between a quivering elation and a quaking despair. All I can do is plough onwards...

Tuesday, January 06, 2009

On a December eve...


(An update photo of progress made at the studio.)

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After walking along the beach today, with intent to introspect and accompanied only by snow whipping around my head as fast as my thoughts, I decided to share an experience:

Thursday, December 11, 2008

On fear...


(A pencil study of a statue. Graphite, A4. Click to enlarge)





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In this Western society we don't have to fight many battles if we don't want to. The great majority of us are born into situations where comfort is not only possible, but usually expected. We are reared in bubble wrap, educated just enough to make us comply, and taught to learn by rote. Questioning is out of the question. By then, we are perfect for the rat race. Fast forward to our retirement, and we are left with nothing but a pension at the mercy of the Bank of England and a growing sense of regret to have waited this long to do the things we had wanted to do all along.

Thursday, December 04, 2008

On vexation...


(Statue Head Study, Graphite - A4. Click to enlarge.)



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Who would have thought starting a business would be so hard?

Sunday, November 16, 2008

On 2009...

I remember that as I shook his hand, pleased with the outcome, I hoped he wouldn't notice the sweat betraying my confidence. Still, now the deal was done, even that wouldn't matter.

It's not as though it took much negociating, it was already at an unbelievable price. Some minor points were haggled, though even those mostly in my favour. The result? I am waiting to sign a three year lease on a studio in Lincoln. At last, a place for my painting to call home!


(The building itself. The upper right three windows are those of the studio.Click to enlarge.)



(The main room, comprised of ~800 square feet. Click to enlarge.)

The front of the space is to be used as the studio, where I plan to take a leaf out of my mentor's book, and start a program of life drawing sessions and workshops. I intend to offer the Lincoln area a taste of the more traditional art skills the university courses now criminally under-represent. Other plans will slowly occupy the rest, but for now remain tumbling around my mind, being scrutinised, modified, and hopefully formed into other viable businesses.

Meanwhile, I am kept busy with easing myself back into painting full time, along with making the furniture I need. The latter is admittedly a little Heath Robinson in fashion, constructed mainly of blood, sweat, brazilian plywood and tears. Still, the attractive costing of this route makes it all worthwhile. Or so I tell myself with every slip of the tenon saw.

Naturally, this adventure and its vicissitudes will be chronicled here. Though to be honest, I still sweat just thinking about what is to come...